2024 — October
This animation was a practice piece focused on overlapping action, exploring how different parts of a character move with delay and follow-through to create a more natural and dynamic motion. My goal was to refine timing and weight distribution to enhance fluidity.
Rig: “Crocodile Maya Rig” by Tri Nguyen.
Rendered using the MYK Tool, which helped streamline the feedback session and the final presentation.
Excited to keep pushing my skills further.
Master Research Project — where I wanted to see if Motion Capture could speed up the creation of Quadruped Creature Animation.
Bear body mechanics practice piece focused on momentum, weight, and keyframing.
A short film passion project made with industry professionals from the Dutch film industry, Manus, and BUas.
Selection of work on Baldur’s Gate 3: Patch 8, where I had the pleasure of working on gameplay animation for characters and creatures, photo mode poses, and 2 companion creatures of the subclasses.
It All Begins Here — the full breakdown of my BUAS Master’s research comparing mocap and handkey workflows for creature locomotion.
A timed gameplay animation test focused on a bastard sword combo attack, inspired by The Lord of the Rings and The Witcher 3.
